The Diffusion of Classical Art in Antiquity, Vol. 42

John Boardman here explores Greek art as a foreign art transmitted to the non-Greeks of antiquity--peoples who were not necessarily able to judge the meaning of Greek art and who may have regarded the Greeks themselves with great hostility. Boardman's pioneering work assesses how and why the arts of the Classical world traveled and to what effect, roughly from the eighth century b.c. to early centuries a.d., from Britain to China. Since the Greeks were not always the intermediaries and the results were largely determined by the needs of the recipients, this becomes a study of foreign images accepted or copied usually without regard to their original function.In some places, such as Italy, these images were overwhelmingly successful. In Egypt, the Celtic world, the eastern steppes, and other regions with strong local traditions, they were never effectively assimilated. Finally, in cultures where there was a subtler blend of influences, notably in the Buddhist east, the Classical images couldserve as a catalyst to the generation of effective new styles. Boardman's approach is as much archaeological as art-historical, and the processeBoardman, John is the author of 'The Diffusion of Classical Art in Antiquity, Vol. 42', published 1995 under ISBN 9780691036809 and ISBN 0691036802.