Comments: Spine creases, wear to binding and pages from reading. May contain limited notes, underlining or highlighting that does affect the text. Possible ex library copy, thatll have the markings and stickers associated from the library. Accessories such as CD, codes, toys, may not be included.
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Publication Date: 1989
Publisher: Shambhala Publications, Incorporated
This book is about using art as an instrument of personal transformation, enabling us to move from an inherited to a chosen state of being. Peter London offers inspiration and fresh ideas to artists, art students, and art teachers-as well as to people who think they can't draw a straight line but want to explore the joys of creative expression. Inside every person, he believes, there is an original, creative self that has been covered over by secondhand ideas, borrowed beliefs, and conditioned behavior. By freeing the capacity for visual expression-a natural human language possessed by everyone-we can awaken and release the full powers of that original self. Among the topics and exercises included are: How to increase the ability to visualize, fantasize, and dream Obstacles to the creative encounter and what to do about them Experimenting with art media as true mediators between imagination and expression Making masks to reveal the hidden self Painting with "forbidden" colors Arranging found objects as metaphors for one's lifeLondon, Peter is the author of 'No More Secondhand Art Awakening the Artist Within', published 1989 under ISBN 9780877734826 and ISBN 0877734828.
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Book condition guidelines
New (perfect condition)
Pages are clean and are not marked by notes, highlighting or fold.
Like new (excellent condition)
Pages are clean and are not marked by notes, highlighting or folds.
Very good (good condition)
Pages are intact and may have minimal notes and/or highlighting or folds.
Good (clean condition)
All pages and the cover is intact. The spine may show signs of wear. Pages include notes and/or highlighting.
Acceptable (readable condition)
All pages and the cover is intact. Pages include considerable notes in pen or highlighter, but the text is not obscured.
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