W. H. Auden called opera the "last refuge of the High Style," and considered it the one art in which the grand manner survived the ironic levelings of modernity. He began writing libretti soon after he arrived in America in 1939 and abandoned his earlier attempts to write public, political drama. Opera gave him the opportunity to rise to the high style in public, not in an attempt to elevate his own status as a poet, but in service of the heroic voice of the singers. These works present their mythical actions with a direct intensity unlike anything in even his greatest poems. In this volume of Auden and Chester Kallman's libretti, extensive historical and textual notes trace the history of the production and revision of the works and provide full texts of early scenarios, as well as abandoned and rewritten scenes. Almost all the works included here were previously published in incomplete and often inaccessible editions--or were never published at all. The book prints for the first time the full text ofPaul Bunyan, Auden's first libretto, which he wrote for music by Benjamin Britten. It also includes Auden and Kallman'sThe Rake's Progress, written for Igor Stravinsky, andDelia, written for Stravinsky but never set to music. The book continues with Auden and Kallman's two libretti written for music by Hans Werner Henze,Elegy for Young LoversandThe Bassarids, and their adaptation ofLove's Labour's Lost, composed by Nicolas Nabokov. It also contains their translation ofThe Magic Flute, with its scenes reordered for greater dramatic coherence and added dialogue for sharper mythical significance, and their antimasque,The Entertainment of the Senses, for music by John Gardner. The book contains two radio plays--The Dark Valley, a monologue written by Auden alone, andThe Rocking Horse Winner, written with James Stern and based on a story by D. H. Lawrence. Also included are the unpublished masque that Auden wrote for Kallman's twenty-second birthday, the unpublished versions ofThe Dutchess of Malfithat Auden prepared with Bertolt Brecht, scenarios for a film script and a libretto that were never completed, Auden's narrative for the medievalPlay of Daniel, two narratives for documentary films, and his song lyrics written forMan of La Manchabefore the producer decided to use a different lyricist.Auden, W. H. is the author of 'Libretti and Other Dramatic Writings by W.H. Auden 1939-1973' with ISBN 9780691033013 and ISBN 0691033013.