Oxford, Bodleian Library Ms. Canon. Misc. 213

This volume makes available for the first time in a facsimile edition one of the most important musical manuscripts of the late Middle Ages. Copied probably in Venice around 1430, the Oxford manuscript contains the most comprehensive surviving collection of secular songs of the late fourteenth and early fifteenth centuries. Of the 326 pieces, 216 are not found in any other source. Including works by Guillaume Dufay, Binchois, and nearly all other leading composers of their generation, it is central to an understanding of fifteenth-century song traditions. Because of the copyist's clear and distinctive hand, it is also significant for studies of late medieval musical notation. David Fallows's introduction includes a history of the manuscript, analysis of its preparation, and survey of its choice of repertory, as well as a full inventory of the music and alphabetical indexes by title and composer. The original-size facsimile includes beta-radiographs of all watermarks, as well as ultravioletphotos that show the copyist's changes and revisions. This volume is the first edition in a new series called Late Medieval and Early Renaissance Music in Facsimile edited by Margaret Bent and John N 1das and published by the University of Chicago Press. This series will include high-quality reproductions of some of the most important and frequently studied European music manuscripts of the late thirteenth through early fifteenth centuries. Each beautifullyFallows, David is the author of 'Oxford, Bodleian Library Ms. Canon. Misc. 213' with ISBN 9780226237060 and ISBN 0226237060.