Imaginary Friends A Play With Music

Act I Scene 1 A bare stage. We see two women smoking. They areLILLIAN HELLMANandMARY MCCARTHY. They're wearing suits and heels. LILLIAN: Did we ever meet? MARY: Once or twice. LILLIAN: I don't really remember. MARY: Well, then I don't remember, either. LILLIAN: All right. Where was it? MARY: At Sarah Lawrence College. Stephen Spender invited us to speak- LILLIAN: I was invited. You turned up. MARY: You thought I was a student because I looked quite young. LILLIAN: I didn't even notice you. MARY: My point. I walked onto the sunporch, and you were telling all of them a huge lie- LILLIAN: Naturally- MARY: -about the Spanish civil war. I couldn't bear it. You were brainwashing them, and they were looking at you like wide-eyed converts. So I interrupted and corrected you. And we had a fight. [To the audience.] And I remember that on her bare arms, she had a great many bracelets, gold and silver- A long string with a hook on the end falls from the rafters with a bunch of gold and silver bracelets dangling from it.LILLIANputs them on. -and they began to tremble in her fury and surprise at being caught red-handed in a lie. LILLIANholds out her arm and makes the bracelets jangle against one another, louder and louder. LILLIAN: Like that? MARY: Exactly. The incident at Sarah Lawrence was in 1948. I was teaching there at the time- LILLIAN: I never had to do that. Ididteach, but I neverhadto teach. Although once, after I testified, after I stood up on the bad morning before the House Un-American Activities Committee and said- LILLIAN and MARY: [Together.] "I cannot and will not cut my conscience to fit this year's fashions." [A beat asLILLIANlooks atMARY.] LILLIAN: You're not suggesting I never said it. MARY: Of course you said it. LILLIAN: Fine. After I said it, and had to sell the farm- MARY: It wasn't a farm. It was a house- LILLIAN: It was too a farm. It was upstate- MARY: Westchester County is not upstate- LILLIAN: There were cows and chickens- MARY: Fine. It was a farm- LILLIAN: -after that I had no money- MARY: -and no place to live but your New York town house- LILLIAN: [Plunging on.]-I had no money to speak of, but I didn't teach. I went to work part-time at Macy's, selling groceries. MARYlooks at her, entirely unbelieving. After a beat, she turns back to the audience and plunges on. Stephen Spender invited us to speak at Sarah Lawrence because we were- LILLIAN: Women. Let's face it. MARY: You are so right. They were having a writers' conference, and they couldn't invite only men-it was a women's college, after all- LILLIAN: We were the logical choices. MARY: There were others. LILLIAN: Who? MARY: There were plenty of others. LILLIAN: Hmmph. MARY: Martha Gellhorn. LILLIAN: She was good. MARY: She was first-rate. LILLIAN: During the war. But then what? She took herself out of the running. She stayed in England, doomed to be known forever as Ernest Hemingway's third wife. And no one reads her anymore. Jean Stafford. MARY: Yes, I suppose Jean Stafford. LILLIAN: Well, I don't suppose Jean Stafford. I brought her up only to make myself seem open-minded. MARY: And she drank herself right out of the competition, didn't she? LILLIAN: Yes she did. MARY: And no one readsheranymore, either. LILLIAN: No one reads any of us. MARY: "We all lead our lives more or less in vain. . . ." I said that only a few months before I died. I was tryEphron, Nora is the author of 'Imaginary Friends A Play With Music' with ISBN 9781400034222 and ISBN 1400034221.