Complex Identities

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Ziva Amishai-Maisels holds the Alice and Edward C. Winant Chair for Art History, is the head of the Robert H. and Clarice Smith Center for Art History, and is professor at the Hebrew University of Jerusalem. Gannit Ankori, a specialist in Israeli and Palestinian art and feminist cultural studies, teaches at the Hebrew University of Jerusalem. Matthew Baigell, coeditor of this volume, is a professor II in the department of art history at Rutgers University. Mira Goldfarb Berkowitz is an independent art writer and researcher. Haya Friedberg teaches in the department of art history at the Hebrew University of Jerusalem. Sander L. Gilman is a distinguished professor of the Liberal Arts and Medicine at the University of Illinois in Chicago and the director of the Humanities Laboratory. Milly Heyd is the Cardinal Konig Chair for Austrian Art in the department of history of art, the Hebrew University of Jerusalem. Norman L. Kleeblatt is the Susan and Elihu Rose Curator of Fine Arts at the Jewish Museum in New York. Donald Kuspit is professor of art history and philosophy at the State University of New York at Stony Brook. Diana Linden is visiting assistant professor in the department of the history of art, University of Michigan, Ann Arbor. Margaret Olin is associate professor of art history, theory, and criticism at the School of the Art Institute of Chicago. Avigdor W. G. Poseq, an associate professor in the department of art history at Hebrew University, also teaches at Tel Aviv University. Elisheva Revel-Neher, the Nicolas Landau Professor of Medieval Art at the Hebrew University, is a specialist in biblical iconography in Jewish and Byzantine art. Harriet F. Senie is professor of art history and director of museum studies at the City College of New York and the Graduate Center, City University of New York. Andrew Weinstein is a doctoral candidate at the Institute of Fine Arts, New York University.