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Chick Flicks

by

Ferriss, Suzanne, Young, Mallory

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Chick Flicks, 1stth Edition, ISBN 9780415962568 Own This Book? Sell It
ISBN-13:

9780415962568

ISBN:

0415962560

Edition: 1st Pub Date: 2007
Publisher: Routledge Summary: From An Affair to Remember to Legally Blonde , "chick flicks" have long been both championed and vilified by women and men, scholars and popular audiences. Like other forms of "chick culture," which the editors define as a group of mostly American and British popular culture media forms focused primarily on twenty- to thirtysomething, middle-classand frequently college-educatedwomen, chick flicks have been accused of [read more]
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Product Details
ISBN-13:

9780415962568


ISBN:

0415962560


Edition: 1st
Pub Date: 2007
Publisher: Routledge

From An Affair to Remember to Legally Blonde , "chick flicks" have long been both championed and vilified by women and men, scholars and popular audiences. Like other forms of "chick culture," which the editors define as a group of mostly American and British popular culture media forms focused primarily on twenty- to thirtysomething, middle-classand frequently college-educatedwomen, chick flicks have been accused of reinscribing traditional attitudes and reactionary roles for women. on the other hand, they have been embraced as pleasurable and potentially liberating entertainments, assisting women in negotiating the challenges of contemporary life.A companion to the successful anthology Chick Lit: The New Womans Fiction , this edited volume consists of 11 original essays, prefaced by an introduction situating chick flicks within the larger context of chick culture as well as womens cinema. The essays consider chick flicks from a variety of angles, touching on issues of film history, female sexuality (heterosexual and homosexual), femininity, female friendship, age, race, ethnicity, class, consumerism, spectatorship, pleasure and gender definition. An afterword by feminist film theorist Karen Hollinger considers the chick flicks transformation from the womans films of the 40s to the friendship films of the 80s and those of the "return to the classics" trend of the 90s, while highlighting the value of the volumes contributions to contemporary debates and sketching possibilities for further study.

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