You can save by renting this book!
Physics Of Sound
Physics Of Sound
Rent It
0 items in your cart

30-Day No-Hassle Returns
We guarantee your satisfaction on every purchase or rental with a full refund within 30 days of your purchase date.
Fast Customer Service
If you need help, our friendly customer service team is here to help!
The Best Prices on Textbook Rentals, Guaranteed
You can shop with confidence with the best rental prices at If you find a lower priced rental, we will match it.
Physics Of Sound Own it? Sell it for $24.16

Physics Of Sound






Edition:  3
Pub Date: 
Publisher:  Prentice Hall
Summary: The Physics of Soundwas written for an introductory course in acoustics for nonscientists. A background in neither physics nor mathematics above high school algebra is required. Traditionally, such courses have been tailored to music majors; nonmusicians either do not enroll or do not fully appreciate the physical principles because they are applied almost exclusively to musical topics. We have tried to avoid this li...mitation by dividing the text into three main sections. Chapters 1-4 present the basic physics essential for virtually all topics in the text: simple harmonic motion, wave principles, resonance, standing waves, the overtone series, Fourier synthesis, and spectrum analysis. No previous musical knowledge is required to appreciate these chapters, and a brief summary of the basic musical notation used in these chapters is provided in Appendix A. Applications and illustrations come from a variety of musical and nonmusical areas. We have revised Chapter 1 with additional discussion of SHM and apply these concepts to debunking psychokinetic myths. Our discussion of wave properties of sound in Chapter 2 has been revised to include a discussion of modern applications such as noise cancellation technology, highway noise barriers, and ultramodern sonogram technology. Chapters 5-8 illustrate the principles outlined in Chapters 1-4 and are of general interest to the musician and the nonmusician alike. The use of musical concepts and notation has been minimized so as to retain the broadest base of appeal, but the more important musical aspects of each topic are still included. For example, Chapter 7 on sound reproduction and Chapter 8 on room acoustics illustrate the principles presented in earlier chapters and are of substantial interest because of the part they play in our daily lives. We use the discussion of analog synthesizers in Chapter 5 as an opportunity to investigate the differences between sounds by studying how these sounds are created in a synthesizer. Our treatment of digital synthesizers has been updated to include use of computers as an integral part of the synthesizer system. The material on MIDI systems includes further discussion of how these systems are used to compose music and to aid musical performance using contemporary computer programs such as Sibelius. We have also added a section on physics and synthesizers in contemporary electroacoustic music composition. Chapter 6 discusses the principles of the ear and the voice at an elementary level, but has been updated with a section on cochlear implants, which have literally dated a revolution in education of hearing disabled children. We have also included 4 section on the use of audio spectrograms in teaching language to the hearing disabled. Chapter 7 has been thoroughly revised from the second edition to include a discussion of MP3 using the concepts of spectral analysis and masking covered previously. Chapter 8 has been updated with a discussion of visual and musical features for a new auditorium at the University of Maryland. The first eight chapters contain the core material for a one-semester course in the physics of sound and music. Chapters 9-14 are more specialized. Each of these chapters independently treats a different aspect of musicalacoustics and is best (though not exclusively) understood by those with some musical experience. Photographs of families of contemporary instruments have been added to the chapters on woodwinds and brasses. Any of the final six chapters could be studied in class or could naturally be assigned to students on an individual basis. Unlike most authors of elementary acoustics texts, we have treated the historical development of instruments, paying particular attention to acoustical developments. We have also tried to relate the physical principles of contemporary instruments to performance technique; the knowledge of howand whyan instrument works a [read more]

Marketplace Prices
41 New from $29.41 55 Used from $54.73 374 Alternate from $11.59 107 Rental from $26.46
Ask this seller a question about this item
Most sellers respond to questions in 48 hours or less. The seller's response will be emailed to you.
Product Details
Physics Of Sound

ISBN-13: 9780131457898

ISBN: 0131457896

Edition: 3rd

Pub Date:
Publisher: Prentice Hall is the #1 site for cheap Physics Of Sound rentals, or new and used copies ready to be shipped fast.
Where's My Stuff?
Shipping & Returns